Thursday, December 31, 2009

The Generic New Year’s Resolution.

1) Don’t die.

2) Do that thing I’ve been putting off for a whole year.

3) Buy that thing for my significant other that I forgot about this year.

4) Make something I’m proud of.

5) Find something I’m good at.

6) Don’t kill anyone.

7) Erase that dirty habit I have from my daily routine.

8) Clean up my shit.

9) Discover the meaning of love.

10) Stop lurking 4chan.

11) Start posting on 4chan.

12) Reignite my lost romance.

13) Don’t get arrested.

14) Read a book for once.

15) Remember birthdays.

16) Grow a spine at work.

17) Quit my job.

18) Love thy neighbour?

19) Move out.

20) Enjoy life.

Happy New Year. And have fun tonight.

Monday, December 28, 2009

Aurally Audacious Endeavours – DJ Deckstream

Hope you had a Happy Festivus, Christmas Eve, Christmas and Boxing Day. Let’s throw in the Sunday after Boxing Day, just to get them all down. Also, Happy Holidays to all you other people. Now that we’ve addressed your celebratory state of mind, let’s get onto business at hand.

It’s high time I got back into the auditory sharing mood, since it is a festive time and all. In my hiatus with these kinds of posts, you can say I’ve been doing extensive research and fine-tuning my ears in both tolerance and experimentation.

Since the last post I did, which I believe was on underground rapper Atmosphere, I was in a hip and hoppy mood. Ever since then, I’ve been browsing the intarwebz for pretty much everything from rap sub-genres to some pretty sweet DJ-ing.

And one of these guys, as I would find out, created some pretty dope beats.

Something that has always caught my interest was unorthodox combinations in music. You’ve seen that I certainly enjoy the right genre-melding, or unique sounds (at least to my ears). When I heard DJ Deckstream, I hear jazz piano, shuffling drumbeats, and featured rappers, whom when combined with Deckstream’s beats, create something worth awing at.

Hailing from Japan, he has already released two major albums, DJ Deckstream Soundtracks I & II. I have yet to listen to most of the tracks, but some quick research shows a pretty impressive line-up in terms of team-ups. The likes of Lupe Fiasco, Talib Kweli, and as you’ve heard, Mos Def, already give legitimacy to this man’s musical ability. Combining forces with famed local rappers from his home country of Japan, Deckstream combines his impressive beats with lyrics from the best hip-hop artists of North America, and some indie ones too.

Whether it’s the instant connection with this man’s combination of smooth and chill style with classic hip-hop fashion, or his musical chemistry with which seems like any MC he makes a track with, DJ Deckstream is a hit, even if he is indie.

Some people keep saying that hip-hop is dead. This man proves the opposite.

Check him out, because you won’t be disappointed.

Thursday, December 24, 2009

I don’t have a chimney. D=

And my family doesn’t like strange, bearded men at their doorstep. I will see how things turn out.

To everyone else with a chimney, Merry Christmas.

I hope your presents are useful, thoughtful, or really damn good gift cards. If not, your family doesn’t love you. Just joking. They’re probably poor though. Doesn’t matter, since Christmas is a time for giving, so keep up the yuletide joy for a day or two, and then waste as much money as possible on boxing day.

Or buy gifts for your family right in front of them, tell them that’s their Christmas present, and then force them to get you something equal—if not greater—in quality or cost. That’s how I do.

Giving feels great. Enjoy your holidays, wherever you may be.

Let’s celebrate with some Christmas music.

Merry Christmas, Earth.

Tuesday, December 22, 2009

Give Me Wings.

Give me wings, because I need to fly.
I need to get out of this place.
Give me eyes, so I can see.
My vision of the world is impaired.
Give me lungs, so I can breathe.
I want to take in the sky and clouds.
Give me a place to go, because I want to get out of here.
Give me a place to be, because I don't know where I'm going.

Give me freedom.

Monday, December 21, 2009

For those crappy days.

If you haven’t seen it already, make sure you bookmark it for when you do bad on an exam, or have a shitty day at work, or when you just feel down.

You could also watch it just because it makes you smile.

:)

A Bad Investment.

Grade 12 Writer’s Craft Short Story Assignment.

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The car in the driveway is brand new. No financing. A pretty good down-payment. They even let me drive it home. Confident buy, I think. It’s spacious and wide, almost like an SUV, but it’s a minivan. Looks homely from the outside too—perfect soccer mom car for the everyday drive to school. I sit in the middle row of seats. Behind me are boxes of something. I forgot what. The keys are still in the ignition and the passenger door is open. I can feel a cool breeze pass through the car and out the open window of the other side. It sends chills down my spine.

I smell something barbecuing at the house next door. Maybe I should go there in a bit. I want to sit in the car for a little longer though; I have to settle into my new investment. A few weeks ago I had argued with her about buying a car. I told her it’d be a good investment—those were my exact words. She said I didn’t have a job anymore, and asked how I could afford paying for a car and a house at the same time. I told her she should think about the kids, and how they deserve a decent car to grow up with. She didn’t bother trying to argue with me. I was disappointed, since I thought I hadn’t proven my point yet.

If she could see this thing now, she’d know what I was talking about. The kids could fit right in here. Big, comfy seats. Maybe if I invested a little more into it, I could have one of those fold-down television screens and let them watch cartoons on road trips or something.

“Damn it.”

I should have thought about that at the car dealership. I should have bought it earlier, so she and the kids could have seen it. The old car was such a piece of crap. I should have sold it when I had the chance. I should have done a lot of things when I had the chance.

“Damn it!”

The back of the seat is surprisingly hard on impact. My knuckles bruise within a few seconds. I stretch and clench my hand to try and get the feeling back. It’s almost as hard as the fridge.

This car is starting to make me sick, so I get out. I look at the paint finish. The silver gleams in the sun. Good choice on my part. I notice the phone and the piece of paper in the passenger seat and go back into the car to get them. Cordless phones; another good investment. Pretty useful in everyday life.

The window of the front door blurs the interior. It’s dark inside. The door won’t open. I forgot the keys. I make another trip back towards the car. The car’s front end is round, but sleek at the same time. I open the driver’s door and pull the keys out of the ignition. Phone and piece of paper in one hand, keys in the other; my hands are full for once. I hear the door unlock when I twist the key to the right. It opens with a loud creak.

The mat under me has ‘Welcome Home’ stitched into it. I stomp my feet on most of the letters. There are still those bills on the desk. The vacuum is still on the floor. I was cleaning the living room when they called. What if the stove was on and I was cooking something? All these investments burnt to the ground. The bills I pay for those investments disintegrated. The vacuum cleaner would probably be melted to the wood. All these pictures, the television, the fridge—the cars wouldn’t survive either; the crap one or the new one I brought home. Good thing she took it. Good thing the stove wasn’t on.

I yawn while I make my way to the kitchen, stepping over the vacuum cleaner and ignoring the bills on the table. I throw the phone and piece of paper onto the counter. Water is an important investment too. I pour myself some out of the pitcher and gulp it down quickly. Cold and refreshing, it hits the back of my throat and goes into my stomach. I can feel it sloshing around.

The dishes are piled in the sink and the dinner table has coloring books on it with crayons scattered all over. They drew on the table too. I don’t bother trying to clean it up. The living room looks clean, seeing as I vacuumed it before I left. The couch looks lonely, so I occupy it.

The remote was where I left it yesterday after putting the kids to sleep. I didn’t even finish watching the game; I guess I was too tired to see the ending and spent the night on the couch. She left before I woke up in the morning and took the kids and that crap car with her. I would have driven them, but she kept insisting that I rest and relax. “You’re under too much stress,” she said. Maybe she was right. I turn on the television. I guess she changed the channel to check the weather this morning. Otherwise, it would have been on the game highlights.

The news featured some lady behind a desk telling me that streets should be safer to avoid accidents like this. She’s referring to the two mangled cars sitting on the side of the road. One of them is a piece of crap—maybe both of them. A bad investment. I see the emergency vehicles surrounding the crash site; little people in black and others in yellow scrambling around. The lady’s voice starts breaking. She says when kids are involved it becomes a whole other issue.

I agree.

Kids are another kind of investment, I think. You have to invest a lot more in them though. More than a car. A wife is another investment. An investment you’re supposed to be committed to, like a binding contract. Life is full of investments; some more important than others, as I’ve found out in the years I’ve had a life, and a family.

The thing about investments, though, is that you have to watch them. Watch them so they don’t end up going bad. I didn’t do that with the car.

Why didn’t I do it with the car?

I don’t know. But I knew it was a bad investment, almost from the start. And she always said that it’s either that piece of crap or taking our kids to school in a bus. I should correct myself—lately it seems that life is filled with bad investments. Everything I invest my time in, my attention, my heart and my soul; everything seems to be a bad investment. Not that new car though. No, I think that one is pretty good.

I think I can make good investments. I always tried to tell her that I could. I always tried to convince her with the things I did and the stuff I bought; they were good investments. I don’t know if she agrees with me. This car would have convinced her though; it’ll convince anyone. I don’t think I’ve had a bigger investment.

I don’t think I’ll ever have a bigger one.

I’ll just have to wait till then. I stare at the television and notice that the news story has changed to something else. I turn it off and go back to the kitchen counter. The piece of paper lays crumpled and folded a few times beside the phone. I didn’t read it at the hospital. I don’t really want to read it now, either. I’ll wait till she gets back. I’ll wait till everyone gets back.

The house is quiet and empty. I walk towards the centre of the foyer and look at the upper levels, then into the living room, behind me to the dining area and back towards the kitchen where the piece of paper I have yet to read lies. Technically speaking, this house was a bigger investment. But I don’t live technically.

I wish I did. That way, I would know what good investments and bad investments are. It’s the damn car. I always hated it. Now I begin to feel light-headed. I have to lie down somewhere. I lean against the wall of the foyer and slide down to sit against it. I didn’t even notice the crumpled piece of paper in my hand. I forgot where it came from. I’m tired of waiting. I unfold it to see what it says.

“Huh.”

I was supposed to pick up eggs and milk. She must think the time I invest into this life—our life—is worth eggs and milk. What does she know? I don’t want her to see the car anymore. She doesn’t care about my investments. Why should I show them to her?

I crumple the piece of paper smaller and tighter than I did before. It makes a crunching sound as the paper starts to dig into my palm. I can feel it fold in on itself as it gets smaller in my hands. My fingers grab the sharp edges sticking out and squish it into the ball, rolling and rolling. The rough scratching sound of skin against paper stops when I open up my hands and decide it’s crumpled enough. I look for the garbage bin beside me. One overhand throw and it hits the plastic covering the bin, bouncing off the edges and tumbling down onto the other garbage. Hell, garbage bins are good investments too.

What are the bad investments, then? Binding commitments. Daily obligations. Crappy cars. They’re all gone though, so I should have only good investments left. Why do I still feel like something’s wrong? Come to think of it, there is one investment I was never happy with. It’s probably the worst thing to invest a lot in. You have so much to lose.

I guess I wasn’t watching this one. That’s too bad; it started pretty good.

I open the closet door and find the shoebox on the top shelf. I open it up. There it is. It has a cold and metallic feel in my palm. I lift it up and down in my hand; a hefty weight to it. It still has its shine too. I run my fingers down the barrel. Roll open the chamber. The click of it going back in place is a nice sound.

The cold is the same against my temple. It feels nice.

“Damn good investment.”

Sunday, December 20, 2009

Black & White (Part 5)

The sound of rain hitting the pavement confused Frank's breathing. He tried to steady his breaths. In and out. Patter, patter, patter. The sound of it hitting the car with a clank added to the confusion. In and out. Patter, patter, clank. Frank dry heaved, lurching forward and almost crumpling to the ground. He used his gun hand to brace his fall.

In and out. Get up.

Frank holsters his gun and takes out a handkerchief from one of his back pockets. He wipes his face profusely. The handkerchief is soaking when his face is dried. He could see clearer now. Still, the lighter provided no illumination past the reach of his arms. He needed something else. He hadn't prepared. He had no tools. He had a gun, and he had his head. The latter was not reliable at the moment.

Frank had hunches; he had gut feelings about scenarios. It's what made him a good soldier, and a good private detective. Frank's gut had told him to vomit. Not a good sign, Frank thought. He needed tools. He needed light and confidence. He knew where to get them. He hoped his office wasn't drenched in rain.

Frank turned around for the open door. He could see his car from across the street, parked alone along the sidewalk. The pathway towards the door was serpentine. The silhouettes of shrouded furniture formed jagged edges around Frank’s trail. He had only made it fifteen feet into the warehouse. The door seemed to sway back and forth in the wind and rain. He quickly walked out.

***

Frank expected his office to be destroyed by the time he got back, but he was relieved to find only papers fluttering about and parts of his floor wet. Frank stares at his chair, pushed away from his desk at a slight angle. Frank looks at the window. The hole was now twelve inches across and cracks extended all around it towards the outer frame. The rock. Frank quickly gets on his knees to look under the desk. The coat rack. Frank gets up just as quick and leaps over his desk to get to it. He slides against the wet floor, hitting the coat rack and almost toppling over with his hanging scorched trenchcoat.

There it sits. The incessant nagging at his sanity. The message that plagues his mind. The problem. Frank picks it up in his hand and throws it up and down. It can’t be more than ten pounds. Easy enough for an able-bodied man to throw through a ninth-story window. Whoever threw it must be physically fit; good upper-body strength. Certainly not an old man. Frank was getting it back. He was glad.

Patter, patter, patter. Frank closes his eyes and attempts to think. Patter. Patter. Bang. Wrong think to think about. He takes out his gun from his holster and places it on the table. Frank needed tools. Light and confidence. Frank was grateful that he had no other place to sleep for the past three months. He did not want to think it, but he was grateful. The couch opposite his desk doubled as a bed. His dresser had been empty before he shifted his living quarters to his workplace. Now it had three shirts and a shotgun. Confidence.

As he took out the 12-gauge, he checked both barrels. Loaded. He did not know why they were, or why he possessed a shotgun. He looked down the sights. He hovered across his office; towards his desk; out the hole in the window. A figure in the window across the street seemed to stop behind the curtains and face Frank. Patter. Patter. Bang.

Frank lowers the shotgun slowly as he tilts his head straight. He looks for a box of ammunition. He feels something on the top shelf of the dresser. It rattles and clangs as he gets a hold of it. At least thirty shells. He grabs a handful and struggles to find a place to put it. Shotgun shells in one’s pocket would limit movement. He turns around towards his trenchcoat. It was only scorched in a small section.

Frank feels warmer. Multiple pockets. He returns to the dresser and grabs three handfuls full of shells. His hands are still trembling. He checks the barrels again. They are loaded, Frank. He clicks the shotgun closed and places it on his desk. He holsters his pistol once again as he opens up his bottom desk drawer. One flashlight, a box of revolver bullets, and three cartons of cigarettes.

Light. Frank’s hands cease shaking as he tests the flashlight. He flicks the switch and the light flickers in his dark office. He taps the end and his office becomes bright. He turns it off.

His watch reads 5:20. Daylight won’t become near while the clouds still patter rain onto the streets. He has time. His trenchcoat waves as he makes his way out of his office. The pattering continues. The rock lies still beside his empty coatrack. The open dresser. The dim lighting. The broken window. Frank stares at it all before he closes the door. The leather of his shoes squeak against the dry, wooden floor of the hallway.

***

Frank stares at the open warehouse door. His shotgun is concealed under his arm inside the trenchcoat. He feels his pistol against his waist. He holds his flashlight in front of him. Frank had closed the door before he left. He uses the butt of the flashlight to push open the door. The floor squeaks under Frank’s leather shoes. He turns the flashlight on.

“Jesus.”

The pathway that had been formed by the shrouded furniture could now be seen clearer than what was outside. It seemed the light had not trouble reflecting off the blood on the floor. Frank steps back while he looks at his feet. The blood was streaked. It stopped where he stood. He looked behind and shone the flashlight on the door’s threshold. Footprints in blood; fresher blood. Two blood sources. Frank pulls out his revolver. Two bodies? Two people?

He places his flashlight hand under the wrist of his other, angling his hand position so that he could see wherever he had it pointed. He carefully moved along the pathway once again, checking each corner and crevice. The furniture was covered in white or blue tarp. An ocean. High shelving units were in the back of the warehouse. Maybe three rows. Beside those were stairs to the upper level. Seven steps, from what Frank could see. He had to get closer. Too much hiding space behind all of the furniture, Frank thought. He had to be careful.

Each step made a creaking sound. Like a slow screech. Frank tried to step lightly, but each step made that sound. The aged and dry wood cried with every single step. The pathway would go to the left or right, depending on the furniture in the way. A fallen dresser in front of Frank had a door open. An empty syringe peeks out from under the tarp. Frank thought with growing distress, exactly what this was warehouse was for.

Franks breathing was steady. In and out. In and out. The rain wasn’t bothering his breathing. The rain wasn’t there at all. He turns back towards the open door. It had closed. He shines his flashlight on the knob.

“What the fuck.”

Wednesday, December 16, 2009

In other news,

The new Iron Man 2 trailer has been exposed to my virgin eyes. Unfortunately, I don’t know whether this is old news or not, so I don’t know if I should post Slowpoke. But for the benefit of the doubt, Slowpoke really isn’t a bad thing anymore. So here I go:

image

Alright, how the fuck did Slowbro get in here? Damn, he must have evolved since I haven’t posted him in a while. Good for nothing Pokémon.

Instead of going into a frame-by-frame literary commentary describing to you what happens in the trailer—much like closed captioning, only I don’t like doing this for blind people—I’ll just link you to the Iron Man 2 trailer site on Apple. There, you will find RDJ and Don Cheadle being the ultimate bros! What more could you ask for?

Mickey Rourke having a badass Russian accent for one, and Scarlett Johansson and Gwyneth Paltrow being hot (probably not with each other, but one can dream). Holy shit, this movie has it all. I shall say no more.

Expect that I am almost 90% sure that this movie will absolutely blow my mind, just like the first one. Way to go, John Favreau! (My God, I’ve already made a catchphrase.)

Time to shake off the rust, Globes. (Part 2)

Okay, so I was getting read to unsheathe my bloody blade of cinematic vengeance yesterday, but I decided to abstain from decimating the entire film industry with one fell swoop from my incredible powers. District 9 at least got nominated for Best Screenplay for a Motion Picture. I was that close too. You probably can’t tell, but my fingertips are practically touching each other. Yeah, that close.

But now for the television side of things, which I truly think has had a better year than film so far, just from watching only two shows in the television categories that got nominated.

Best Television Series – Drama

“Big Love” (2006) - HBO

“Dexter” (2006) - Showtime

“House M.D.” (2004) - Fox

“Mad Men” (2007) - AMC

“True Blood” (2008) – HBO

Once again, I’ve only watched one of the nominees, and yeah, I know what you’re thinking. And this time, you’re damn right. Dexter by a mile. Is it even debatable? Does your opinion even matter? Probably not, since nothing in your life, even if you were the most interesting person in the world, will not amount to the mind-blowing, ball-breaking, jaw-dropping, unfathomably awesome finale that Dexter’s 4th season had. The concentrated awesome of that single episode blows off any genius diagnosticians, Mormon polygamists, advertising tycoons, and thick-accented vampires. Seriously though, Dexter should win. I don’t know if it will, and with something like Mad Men or Big Love already taking up all the attention, I will be thoroughly pissed off if the Globes fuck this one up.

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Best Television Series – Musical or Comedy

“Entourage” (2004) - HBO

“Glee” (2009) - Fox

“The Office” (2005) - NBC

“Modern Family” (2009) - ABC

“30 Rock” (2006) – NBC

Same thing here; I only watched one of these nominees. Guess which one?

Hint #1: It’s the one that should win.

Hint #2: It’s not about Mark Wahlberg and friends, Dunder-Mifflin Paper Company, modern families (?), or a comedy series about a comedy series.

Hint #3: Don’t make me unsheathe, God damn it.

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Television > Film = 2009. A very depressing mathematical statement to me. I don’t think that’s an actual mathematical sentence, but it still provides the same sense of frustration and annoyance. Then again, Glee and Dexter are fuckawesome, so I can’t really complain. Still, I will continue to do so, because I like complaining.

Give District 9 more nominations, you ungrateful egotistical bastards.

I don’t know if I want to post Directing, Screenwriting, Animated, Starring, or Guest Starring. I might just accumulate them into one, and save the commentary. I’ll just include the nominees that will have a chance, or that should win. Probably the latter.

Tuesday, December 15, 2009

Time to shake off the rust, Globes. (Part 1)

Yes, you now see the reason why I have RSS Feeds from Rotten Tomatoes on my blog. So I can give you the news you might have missed because you’re too lazy to check out the sidebar for more interesting news. But I digress.

Another year, and another set of movies that probably shouldn’t have been nominated, or maybe this year is different. I really hope this year is different.

Only way to find out is examine the nominees. 2009 has been a pretty significant year for film, with James Cameron’s comeback into immediate stardom thanks to his multi-billion dollar budget and the word ‘Titanic’ connected with everything he does. It’s also because QT has returned, Kathryn Bigelow surprised the scene with another movie, and the Coen Brothers have also come back after a disappointing awards reception for Burn After Reading, which I was considerably angry about.

I’ll hold onto my blades of bloody vengeance though, since the Oscars haven’t arrived yet. Onto our categories, and their respective nominees!

Best Motion Picture – Drama

Avatar, dir. James Cameron

The Hurt Locker, dir. Kathryn Bigelow

Inglourious Basterds, dir. Quentin Tarantino

Precious, dir. Lee Daniels

Up in the Air, dir. Jason Reitman

Well, here’s a dilemma. James Cameron goes with Avatar. Quentin Tarantino goes with Inglourious Basterds. George Clooney pretty much saves Up in the Air from elimination. But, who the hell is Lee Daniels? I know these aren’t the nominees for Best Director, but I doubt a film with unknown people is going to have a chance at the Globes. Sad, but true. And the reason why I don’t think The Hurt Locker will win is purely because I’m a cynical bastard. It’s going to be Avatar, people. Or maybe this is a plot to batter my trust in the reviewing committee (or whatever they're called) and make the right decision in choosing The Hurt Locker. Lately though, it seems Awards ceremonies for film like choosing the wrong films to win. Let’s see if the never-ending trend continues.

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Best Motion Picture – Musical or Comedy

(500) Days of Summer, dir. Marc Webb

The Hangover, dir. Todd Phillips

It’s Complicated, dir. Nancy Meyers

Julie & Julia, dir. Nora Ephron

Nine, dir. Rob Marshall

I’ve watched one of these movies, so I’m going to go ahead and say what I was thinking. The Hangover was extremely funny. See, I bet you thought I was going to be a biased douchebag and pick it just because it’s the only one I watched. Well, you’re wrong. And you’re a jerk for thinking that. However, I will tell you that Nine has a strong chance. I can feel it, because D-Day Lewis’ beard possesses dubious amounts of classy awesomeness. Then again, Zach Galifianakis’s is pretty scruffy too, so maybe The Hangover might sneak in with a surprise. But, D-Day shaves his beard for the filming of Nine! It’s getting pretty heated now. Since (500) Days seems to lack ample beard, and I hope Julie & Julia doesn’t consist of bearded ladies, I think the chances are equal between our two contenders. Oh, and old hacks trying to save their careers by battling over Meryl Streep. So last year. Make way for the beards, amateurs.

Or maybe not, since the last time I checked the Golden Globes didn’t award people for the best beards. It isn’t too late to start though.

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So, it seems this year’s films have an equal chance at something or the other, but I haven’t put my finger on it. I’m pretty sure one of em’s going to win something. We’ll have to wait for the exciting conclusion to these events. Unleash the beards!

If you don’t want to bother checking Rotten Tomatoes for the rest of the nominees in the other categories, I shall post them up and give my unmatchable cinematic insight on films I have not yet seen. It’s how I do.

Also, WHERE THE FUCK IS DISTRICT 9, YOU MOTHERFUCKERS.

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Also, I forgot about television nominations. Those will also be going up. Surprsingly, I think I've seen more television series than films this year. Weird.

DISTRICT 9, BITCHES. YOU KNOW IT'S TRUE.

That is all.